Stage Makeup.
Makeup is one of the final touches on character creation, and it’s essential to pull all of the elements together. Here is some of my work in creating performance makeup looks.
90s Nostalgia for Aerial.
For the production VorteXs by the eXs Dance Company in Salem, we had a dance and aerial number that was a throwback to the bubbly, carefree vibe of the 1990s. As the aerialist in the act, I designed a look that contained essential 1990s elements (frosty eyeshadow, white eyeliner, dark lip liner with high gloss) that was able to withstand the difficult nature of performing aerial—lots of sweating!
Rigging Fairy.
As the fairy ensemble member responsible for onstage rigging transitions, the costume designer and director settled on a steampunk look for the rigging fairy. I was given freedom to design the steampunk fairy look for performance. To capture steampunk elements, I used heavy shimmer and highlight to give a metallic finish. I used swirls, lines, and dots in assorted metallic liners to create a feeling of gears. Heavy contouring was used for visibility under the stage lights.
Age Makeup.
For my stage makeup class (TA227) at Mt. Hood Community College, I learned the proper techniques for creating an aged character. The design and products used for this look can be found here.
Special Fx and Gore.
For my stage makeup class, we learned how to use the Ben Nye prosthetics and special effects makeup to create realistic wounds. The design and products used can be found here.
Gandalf the Gay!
For stage makeup class, we learned the principles of drag makeup. I designed a look for the character Gandalf the Gay. I utilized eyebrow blocking techniques, and I learned how to use crepe beard. I also used likeness and age makeup techniques to capture the wrinkles and facial structure of Sir Ian McKellan. The design and products can be found here.
